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Electric harp
Like electric guitars, electric harps are based on their acoustic originals. There are both solid-body and hollow body electro-acoustic models available. True electric harps have a solid body versus a hollow body electro-acoustic harp, which can be played either acoustically or electronically. A true electric solid-body harp cannot be played acoustically since it has no hollow soundbox, and must be amplified when played.
== Early models ==
Alan Stivell writes in his book ''Telenn, la harpe bretonne'' of his first dreams of electric harps going back to the late 1950s. He designed and had made a solid body (after different electric-acoustic harps) electric harp at the turn of the 1970s–80s, about the same time as Rudiger Oppermann. Alan Stivell later (early 80s) had a meeting with Joel Garnier who decided to create a model. Alan Stivell went on independently to design and have different single models been made with Leo Goas-Straajer (before the Camac–Alan Stivell last experiment). The first such commercially manufactured instrument was made by Camac, also helped later by the request of jazz-pop harpist Deborah Henson-Conant.〔(【引用サイトリンク】 publisher=Camac )〕 The result looked like a light framed Celtic-style harp, but each string had a crystal (Piezo) pickup at its base. They can be plugged into various amplification systems, and players are able to use effects pedals similarly to electric guitar players. Another part of Henson-Conant's request was that she should be able to move around the stage with the harp, and thus the smaller electric harps usually include a system to strap the harp to one's body.
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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